iheartmyart:

Felice Varini

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Front Desk Apparatus
LIBRARY

Dieter Roelstraete

The Business: On the Unbearable Lightness of Art

.PDF Henri Lefebvre

Preface to the Study of the Habitat of the ‘Pavillon’

.PDF Tom Holert

“I was interested in …” Interest and Intuition in Art Discourse

.PDF Luc Boltanski & Eve Chiapello

The New Spirit of Capitalism

.PDF Michael Hardt & Chris Hight

Designing Commonspaces

.PDF Benjamin H. D. Buchloh

From Faktura to Factography

.PDF Tom Holert

Art in the Knowledge-based Polis

.PDF Bruno Latour

Making Things Public

.PDF Hannah Arendt

The Public and the Private Realm / The Social and the Private

.PDF Zbyněk Baladrán

Clipping as a practice of thinking

.PDF Erik Thys

Space and the Soul

.PDF Tom Hall

Notational Image, Transformation and the Grid in the Late Music of Morton Feldman

.PDF Simon Sheikh

Spaces for Thinking : Texte zur Kunst Nr. 62

.PDF Samuel Beckett

Lessness

.PDF Boris Groys

Self-Design and Aesthetic Responsibility

.PDF John Kitchen

Situated Pedagogy: [against] a Pedagogy of Placelessness.

.PDF Georg Simmel

The Stranger

.PDF Karl Marx

Fragment on Machines

.PDF Liam Gillick

Maybe it would be better if we worked in groups of three

.PDF Maurizio Lazzarato

Immaterial Labor

.PDF Sven Lütticken

General Performance

.PDF Jan Verwoert

Use Me Up

.PDF Claire Fontaine

Ready-Made Artist and Human Strike: A few Clarifications

.PDF Martin Heidegger

Building Dwelling Thinking

.PDF Guy Debord

Critique of Separation (film soundtrack)

.PDF Jacques Rancière

The Surface of Design

.PDF Benjamin H. D. Buchloh

From the Aesthetic of Administration to the Critique of Institutions

.PDF Anthony Huberman

I (not love) Information

.PDF Metahaven

White Night: Before a Manifesto

.PDF Samuel Beckett

Company

.PDF B. Joseph Pine and James H. Gilmore

Welcome to the Experience Economy

.PDF Regis Debray

Socialism and Print: A Life-Cycle

.PDF Emile Durkheim

Introduction to The Division of Labor in Society

.PDF Natasa Petresin-Bachelez

Innovative Forms of Archives, Part One

.PDF Irit Rogoff

“Turning,” e-flux journal #0, November, 2008

.PDF Maurizio Lazzarato

From Capital-Labour to Capital-Life

.PDF David Harvey

[Space] as a Keyword

.PDF Peter Sloterdijk

Atmospheric Politics

.PDF Tom Holert

Hidden Labor and the Delight of Otherness: Design and Post-Capitalist Politics

.PDF Gilles Deleuze

What is a Dispositif?

.PDF Gerald Raunig

Instituent Practices, No. 2

.PDF David Senior

Infinite Hospitality

.PDF Isabell Lorey

On the Implosion of Political Virtuosity and Productive Labor

.PDF Felix Guattari

Remaking Social Practice

.PDF John Bellamy Foster

Marx’s Grundrisse Foundations of the critique of political economy

.PDF Antonio Negri

Logic and Theory of Inquiry

.PDF Michel Foucault

Of Other Space

.PDF Maurizio Lazzarato

Construction of Cultural Labour Market

.PDF Lars Bang Larsen

Social Liability

.PDF Sean Snyder

Disobedience in Tokyo

.PDF William Morris

Useful Work versus Useless Toil

.PDF

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geisterseher:

Georg von Welling. Opus mago-cabalisticum et theologicum : vom Uhrsprung und Erzeugung des Saltzes, dessen Natur und Eigenschafft, wie auch dessen Nutz und Gebrauch … (1719)

(via artspotting)

blackpaint20:

Coat of Arms of God. Wernigerode Armorial, 15th c. 

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(Source: yohel, via fuckyeahcartography)

blackpaint20:

“Robert Fludd, Integra Natura fpeculum Artisque imago (The Mirror of the Whole of Nature and the Image of Art) published in 1617”

(Source: all-is-in-the-all, via edlorado)

thephysicalisanillusion:

The wheel of seasons and months,from “De natura rerum” by Isidore of Sevilla.  France, 9th century.

(Source: sacred-circle, via therurrjurr)

lunaghoststar:

The Magical Calendar is one of the most amazing pieces of art and information available in Western Hermeticism.

Published in 1620, the Magical Calendar contains tables of correspondences arranged by number from one to twelve. They are based in part on extensive tables in Agrippa, book 2, chapters 4-14 but go well beyond anything in Agrippa, especially sigils. The engraving was executed by the brilliant Johannes Theodorus de Bry who illustrated other important occult works such as those of Robert Fludd. The author was Johann Baptista Großchedel. Carlos Gilly has identified the original manuscript on which the printed Magical Calendar was based as British Library manuscript Harley 3420.

Adam McLean published a wonderful study of it in The Magical Calendar: A Synthesis of Magical Symbolism from the Seventeenth-Century Renaissance of Medieval Occultism (available via amazon.com)

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